Bishop Gene Robiinson

b. May 29, 1947 

“It’s not so much a dream as a calling from God.”

In 2003, The Rt. Rev.V. Gene Robinson was elected bishop of the diocese of New Hampshire, making him the first openly gay Episcopal bishop. His ordination caused a global rift within the Episcopal Church and led to international debate about the inclusion of gay clergy in church hierarchy. In the weeks leading up to his consecration, Robinson received hate mail and death threats, triggering the FBI to place him under 24-hour protection.

Gene Robinson grew up outside Lexington, Kentucky. The son of poor tobacco sharecroppers, he was raised without running water or indoor plumbing. He recalls his childhood as rustic and religious, with Sunday school and services at a small Disciples of Christ congregation.

Robinson earned his bachelor’s degree in American studies from the University of the South and his Master of Divinity from the Episcopal General Theological Seminary in New York. He was ordained a priest in 1973. 

Despite doubts about his sexual orientation, Robinson married in 1972. He and his wife moved to New Hampshire where they raised two daughters. Robinson worked as youth ministries coordinator for the seven dioceses of New England and cofounded the national Episcopal Youth Event. Robinson divorced his wife and came out in the mid-1980’s.

Robinson is the coauthor of three AIDS education curricula. In Uganda, he helped set up a national peer counseling program for AIDS educators working with religious institutions. 

The National Gay and Lesbian Task Force honored Robinson with a Leadership Award in 2004.  In 2007, he received the Flag Bearer Award from Parents and Friends of Lesbians and Gays (PFLAG) for leadership and inclusion in faith communities.

In 2008, Bishop Robinson and Mark Andrew, partners for more than 19 years, exchanged vows in a civil union ceremony in New Hampshire.

Bibliography
“Episcopalians Approve Gay Bishop.” CNN. August 6, 2003
http://www.cnn.com/2003/US/08/05/bishop
“Gene Robinson Biography.” Episcopal Diocese of New Hampshire. June 20, 2008
http://www.nhepiscopal.org/bishop/bishop.html
Monroe, Rev. Irene. “Perspective: Gene Robinson.”  Windy City Times. June 11, 2008
http://www.windycitymediagroup.com/gay/lesbian/news/ARTICLE.php?AID=18580
Steele, Bruce C. “Robinson Redux.” The Advocate. July 17, 2007
http://findarticles.com/p/articles/mi_m1589/is_989/ai_n20525035
Articles
Burns, John F. “Cast Out, but at the Center of the Storm.”  The New York Times. August 3, 2008
http://www.nytimes.com/2008/08/03/weekinreview/03burns.html?_r=1&oref=slogin
Costello, Andrew. “Let God Love Gene Robinson.” GQ. June, 2008
http://men.style.com/gq/features/landing?id=content_6948
Goodstein, Laurie.  “Episcopalians are Reaching Point of Revolt.”  The New York Times.  December 17, 2006
http://www.nytimes.com/2006/12/17/us/17episcopal.html
Goodstein, Laurie. “Gay Bishop Plans His Civil Union Rite.”  The New York Times.  April 25, 2008
http://www.nytimes.com/2008/04/25/us/25bishop.html
Keizer, Garret. “Turning away from Jesus: Gay Rights and the War for the Episcopal Church.” Harper’s Magazine. June, 2008
http://harpers.org/archive/2008/06/0082061
Lawton, Kim. “Interview: Bishop Gene Robinson.”  PBS. May 2, 2008
http://www.pbs.org/wnet/religionandethics/week1135/interview.html
Millard, Rosie. “Interview: The Rev. Gene Robinson.” The Sunday Times. July 27, 2008
http://www.timesonline.co.uk/tol/comment/faith/article4405816.ece
Books
In the Eye of the Storm: Swept to the Center by God (2008)
http://www.amazon.com/s/ref=nb_ss_b?url=search-alias%3Dstripbooks&field-keywords=In+the+Eye+of+the+Storm%3A+Swept+to+the+Center+by+God&x=7&y=16
Films
For the Bible Tells Me So (2007)
http://www.amazon.com/Bible-Tells-Me-So/dp/B000YHQNCI
Other Resources
Episcopal Diocese of New Hampshire Website
http://www.nhepiscopal.org/

Peter Gomes, Theologian

b. May 22, 1942

	There can be no light without the darkness out of which it shines.

Peter Gomes offers a look at religion from a distinctive perspective. Gomes, a Reverend and Professor at Harvard University, argues that the Bible is neither anti-Semitic, anti-feminist nor anti-gay.

In 1991, Peninsula, a conservative Harvard magazine, published a 56-page issue largely critical of homosexuality. Gomes denounced the magazine and came out publicly at Harvard’s Memorial Church. A small group called Concerned Christians at Harvard immediately called for his resignation, but Gomes received support from the Harvard administration.

Renowned for both his teaching and his preaching, Reverend Gomes is the Plummer Professor of Christian Morals at Harvard and the Pusey Minister at Harvard’s Memorial Church. A graduate of Bates College in 1965 and Harvard Divinity School in 1968, he also studied at the University of Cambridge, where he is an Honorary Fellow and where the Gomes Lectureship was established in his honor. Gomes holds thirty-three honorary degrees. Religion and American Life named him Clergy of the Year in 1998, and he won the Phi Beta Kappa Teaching Award from Harvard in 2001. Gomes offered prayers at the inaugurations of Ronald Reagan and George H.W. Bush.

Gomes is a widely published author. Of the ten volumes of sermons and numerous articles and papers he has written, two of his works – “The Good Book: Reading the Bible with Mind and Heart” (1996) and Sermons: “Biblical Wisdom for Daily Living” (1998) – were New York Times and national bestsellers.

Bibliography

“The Reverend Peter J. Gomes.” The Memorial Church of Harvard University. July 1, 2007

Gregen, David. “Words for the Heart.” PBS: Essays & Dialogue. December 25, 1996. July 1, 2007

Selected Works

Gomes’s Book of Good Graces: A Collection of Graces and Blessings Compiled by Peter J. Gomes (2003)

Sermons: Biblical Wisdom for Daily Living (1998)

Strength for the Journey: Biblical Wisdom for Daily Living (2003)

The Good Book: Reading the Bible with Mind and Heart (1996)

The Good Life: Truths that Last in Times of Need (2002)

Gay Popes: Julius II

Julius 11 (1443-1513) positioned himself for high office during the reign of his uncle Sixtus IV. A lover of art, he patronized both Michelangelo and Raphael, and in 1506 he laid the foundation stone for the magnificent church of New St. Peters. However, Julius’ military conquests caused friction with the king of France and the German emperor. At their behest a council met in Pisa in 151 1 to consider his deposition. Arraigned as “this sodomite, covered with shameful ulcers, who has infected the church with his corruption,” Julius nonetheless managed to prevail by calling his own council, which was still in session when he died in May 1513

 Rumors that Pope Julius II (Giuliano Della Rovere, 1443-1513; reigned 1503-13) was involved in numerous homosexual liaisons are reported both in Protestant polemical tracts and in official reports submitted by ambassadors from friendly Catholic powers. Although the Protestant sources must be regarded as inherently biased, the frequency of these accounts suggests that they may be accurate. Julius’s enthusiastic patronage of Michelangelo’s homoerotic depictions of the male figure also indicates that he may have fully appreciated the physical beauties of men.

Appointed Cardinal in 1471 by his uncle, Sixtus IV, Della Rovere revealed great diplomatic skill in his negotiations with various European powers. As Pope, Julius acted as a very effective general for the papal armies, and, by 1508, he recaptured the Italian region of Romagna for the Papal States. Through his patronage of various artistic projects, Julius hoped that Catholic Rome would regain and even surpass the splendor of the city at the height of the Roman Empire.

As part of his renovation of the fabric of the city, Julius ordered in 1506 that the Early Christian Basilica of Saint Peter’s be demolished and replaced by a new structure, designed by Donato Bramante (1444-1516), who was the first Renaissance architect to create structures with the sense of weight and strong physical presence of ancient Roman monuments. Bramante’s Tempietto (1502, Rome) had been the first Renaissance structure to employ ancient architectural orders in a correct fashion. For Saint Peter’s, Bramante envisioned an immense centralized structure with a Greek cross plan. Among the elements based on ancient prototypes was the saucer dome, inspired by the Pantheon, Rome (118-25).

When he undertook the construction of the New Saint Peter’s, Julius resolved that his tomb would be placed directly underneath the central dome. Michelangelo (1475-1564) envisioned a monumental funerary structure with three stories, decorated with forty-seven life-size statues. Constant changes in plans, required first by Julius and subsequently by his heirs as well as by successive popes who did not want his monument to detract from theirs, were among the many factors that inhibited the realization of the original plans. However, Michelangelo had begun by 1513 the heroic, muscular figure of Moses, which was incorporated into the truncated version of the monument assembled in San Pietro in Vincoli, Rome, in 1545. Of uncertain meaning, sensuous nude figures, the Rebellious Captive and Dying Captive (1513-19, both Louvre, Paris), also were created for the tomb.

By the end of 1506, Julius compelled Michelangelo to undertake the Sistine Ceiling, even though the artist did not believe that he had sufficient talent to complete this project. Over the next two years, the final program for the ceiling was developed through often heated negotiations between the Pope and the artist. The nine narrative scenes down the center of the ceiling narrate the history of creation, the fall of the human race through original sin, and the establishment of a Covenant between God and the Chosen People, led by Noah. These panels are displayed in a fictive stone framework, which seems to have the weight of Bramante’s actual structures. The figures became increasingly large in size, heroic in musculature, and dynamic in movement as work progressed from the chronologically later scenes of Noah toward the initial stages of Creation. Located approximately in the middle of the ceiling, the Creation of Adam visualizes a balance between human potential and divine power.
The program also includes enthroned figures of sibyls and prophets to the sides of the narrative panels. Sensual nude male figures are seated at the corners of the five smaller narrative panels. The meaning of these nudes is uncertain, but their homoerotic qualities cannot be denied. Insignia of the Pope’s family, including oak leaves and acorns, are displayed throughout the ceiling.